I critique the gendered forms of play in the latest Pokémon titles and offer up my own experience reconciling its contradictions.
My presentation explores sites of feminist epistemology, the necessity of community, and feminist histories by remixing the work of marginalized authors as I share how I have come to navigate my identity as a white, able-bodied, queer and transgender person in university.
My poem “Gemini” was included in Unwinnable’s physical #Quaranzine.
In my essay for Unwinnable, I bring Blood Pact into conversation with Cyberpunk 2077. By highlighting this NSFW indie, I change the question from what, to: how do games make us feel? Featured on Critical Distance.
“Silent Princess” began as an essay arguing that Zelda is the main character of The Legend of Zelda: Breath of the Wild. It turned into an exploration of the trans narrative I found in my journey through Hyrule.
My presentation at the 2019 FCPC Conference was based on my research project (see below), intended to teach a wider audience about what citation politics are and how they impact our everyday.
This poster presentation is based on a research proposal created under Dr. Marcy Galbreath (DWR). I argue that we need to understand how leftist YouTube creators have made scholarship relevant to current conversations and media. This is where the scholarship is happening. If we want to make change in the academy we need to look outward. I have continued this project under Dr. Brandy Dieterle (DWR).
Other Bodies is an epistolary column I made with Violet Bloch about human minds in other bodies. We write about mecha and other media that make us think how weird bodies are.
56 is a section of Into the Spine for games photography. Mine comes from 300 hours of The Legend of Zelda: Breath of the Wild.
I wrote some words on Hibike! Euphonium for Unwinnable’s Best TV of 2019 list.
For Into the Spine, I approach the mech dating sim Heaven Will be Mine and painfully stumble into the AIDS crisis. “Remembering” is a brief mediation on queer myth making and the ways we choose to tell our stories. Featured on Critical Distance.
I criticize Coldplay’s latest music video for its depiction of police violence and failures to engage with its themes.
I describe the trope across media where characters don’t believe the woman protagonist during the climactic struggle as a failure to critique the toxic masculinity present in our tellings of the hero’s journey.
A personal essay of poetry and prose, “Hope for Two” uses several voices and modes to convey genderfluidity and augment it’s analysis of Celeste’s narrative and mechanical resonance. Featured on Critical Distance.
I review Dream Feel’s latest work in the context of other trans stories. I also just really like this game.
Reading Orlando through Sara Ahmed’s Queer Phenomenology, and I Meta A Yeti’s 2019 EP through Adventure Time, my essay in this issue of Exploits connects all sorts of disparate texts to find myself on these paths.