My presentation at the 2019 FCPC Conference was based on my research project (see below), intended to teach a wider audience about what citation politics are and how they impact our everyday.
“Silent Princess” began as an essay arguing that Zelda is the main character of The Legend of Zelda: Breath of the Wild. It turned into an exploration of the trans narrative I found in my journey through Hyrule.
In my essay for Unwinnable, I bring Blood Pact into conversation with Cyberpunk 2077. By highlighting this NSFW indie, I change the question from what, to: how do games make us feel? Featured on Critical Distance.
Publications
Scholarship
Reading Orlando through Sara Ahmed’s Queer Phenomenology, and I Meta A Yeti’s 2019 EP through Adventure Time, my essay in this issue of Exploits connects all sorts of disparate texts to find myself on these paths.
Games Writing
For Exploits, I describe how how the mech anime gen:LOCK queers mind/body dualism.
A personal essay of poetry and prose, “Hope for Two” uses several voices and modes to convey genderfluidity and augment it’s analysis of Celeste’s narrative and mechanical resonance. Featured on Critical Distance.
Essay Writing and Other Criticism
This poster presentation is based on a research proposal created under Dr. Marcy Galbreath (DWR). I argue that we need to understand how leftist YouTube creators have made scholarship relevant to current conversations and media. This is where the scholarship is happening. If we want to make change in the academy we need to look outward. I have continued this project under Dr. Brandy Dieterle (DWR).
My presentation explores sites of feminist epistemology, the necessity of community, and feminist histories by remixing the work of marginalized authors as I share how I have come to navigate my identity as a white, able-bodied, queer and transgender person in university.
For Into the Spine, I approach the mech dating sim Heaven Will be Mine and painfully stumble into the AIDS crisis. “Remembering” is a brief mediation on queer myth making and the ways we choose to tell our stories. Featured on Critical Distance.